Traditions of the Future

Okay, so I've been giving a lot of thought to traditions and holidays recently, and I thought today would be a good day to discuss it what with Easter on Sunday and whatnot.

I'm a huge lover of the dystopian genre, and I'm still devouring every dystopian novel I can get my hands on. I've noticed that very few of them make reference to holidays or traditions, and it's caused me to wonder.

When (or If, I suppose some could say) the apocalypse hits, will we abandon those things we hold dear? Will we stop celebrating birthdays or having family traditions that form crucial bonds? It seems to me that when people go through crisis, it's those things that prevail the most, those traditions--those family lines--they cling to the hardest.

I recognize new traditions or ceremonies in dystopian novels (The Reaping in The Hunger Games, for example, or The Matching ceremony in Matched, or the assigning of careers in The Giver).

But what of holidays and traditions we have now? I'd like to think--and hope, perhaps--that even if I functioned under a severely limiting government, that I'd hold my children's birthday celebrations by the light of a candle in the dead of night. That we'd find a way to continue the bonding traditions that build the loyalty and relationships that are needed to endure life in such a society.

Maybe I'm just nostalgic from reading The Little House on the Prairie books with my daughter, where Mary and Laura labor in secret to create Christmas gifts for each other. As part of my childhood, I loved saving and creating simple, secret gifts for my family. And I'd like to think that those kinds of traditions, those kinds of binding events, wouldn't be eradicated in the future, no matter who's in a position of power.

What do you think? Do you see more value in holidays and traditions than simple ceremony?

So You Want to Submit a Short Story

Last month I talked about how women don’t submit as many short stories as men do to science fiction / fiction markets. This month let’s get down to business.

So, let’s assume you’ve got a polished version of your short story. It’s been workshopped, revised, edited, and proofed to perfection. What now?

Research your markets.

Where you send your stories depends on your goals and the story itself. For instance, do you want to qualify for SFWA (Science Fiction and Fantasy Writers of America) membership (see below)? Do want to sell to the best paying market? Is your story high fantasy? Steampunk? Hard sci-fi?

You need to do your homework before hitting the send button. Here are few places to get started:

  • · SFWA Qualifying markets

    To become an active member of the Science Fiction and Fantasy Writers of America, you have to make three short story sales to what SFWA deems to be a Professional Qualifying Market (http://www.sfwa.org/join-us/sfwa-membership-requirements/). (Or, you need to sell one novel to a national publisher.) These magazines pay professional rates, publish quality stories, and meet other criteria (circulation, etc).
  •  Duotrope (http://www.duotrope.com/)

    This is a very handy online database of short fiction markets. You can search by genre, subject, payscale, length, etc.

  • Ralan (http://ralan.com/)

    This is a site started by a science fiction writer about 15 years ago. Ralan tracks speculative fiction markets (science fiction, fantasy, horror) in particular.

You can also check out Writer's Market--both the book and online versions. However, any guidelines listed in the hard copy version, at least, might be outdated.  Always check the magazine's own submission guidelines.

Read the guidelines.

Every magazine has submission guidelines. READ THEM. Most tell you key information such as:

  • exactly what the magazine is looking for (or specifically NOT looking for)
  • if they’re even open for submission 
  • if simultaneous submissions are allowed
  • who to submit to (know the editor’s name!)
  • how to submit (mail, email, online submission system)
  • pay rates
  • turn-around times
  • word limits
  • reading windows (some mags only read at certain times of the year)
  • rights bought
Strange Horizons has one of the more complete guidelines in the business. They tell you exactly what they’re NOT looking for. http://www.strangehorizons.com/guidelines/fiction.shtml.  Be sure to check out the Stories They See Too Often.

Probably the one thing most magazine editors tell prospective submitters is TO READ THE MAGAZINE. That way you know if your story truly fits. You can usually request or buy single copies of magazines from the publisher or online.  And the big three (Asimovs, Analag, and Fantasy and Science Fiction) are available on Kindle and Nook.

Format and send your submission.

Just like novels, short stories have a particular format and etiquette. Check the guidelines on each publication’s site for specific requirements. Some magazines still require snail mail submission, but most have moved onto email and online submissions. However, the format of the manuscript and cover letter is the same.

The SFWA has good advice on manuscript formatting and cover letters.



Track your submission.

Keep track of what you send out. You system can be as simple as index cards or a notebook or as complex as a spreadsheet or tracking software. Some writers print out the story and write the date and market across the top. I use a notebook, with one page per story. I write down the date and market. Then scratch through it if it’s rejected. (I usually date the rejection, too, and jot down any notes from the editor.) Then move on to the next market.

If you want something more techie, Duotrope, Writers Market, and a few other places have online tracking tools. You can also download freeware to do the same thing. Or, design your own spreadsheet.

The important thing is to keep track of what you sent where—so that you don’t send the same story to a magazine twice or send the same magazine more than one story at a time. Don’t give the slush reader (or editor) an excuse to reject your story.


Rinse. Lather. Repeat.

If you get a rejection, file it and move on to the next magazine.  I keep this quote from Isaac Asimov (a prolific writer if there ever was one) tacked to my memo board:
“You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success - but only if you persist.”
- Isaac Asimov

In other words, keep submitting.

btw, (shameless plug ahead) I have a story--"The Actuarian"--in the April issue of Odyssey as well as another one in the September issue. I have past Odyssey stories (as well as a list of others) on my personal site.

Fear is the Mind Killer


Hi everybody!

Man, it has been crazy times lately. Let's see, in the last few weeks my wife and I finally fled NYC after 6 years for a little small town livin' in NY's Hudson Valley, I left a long time job, I took part in the awesome Teen Author Festival, The Eleventh Plague hit a bestseller list ( ! ) and I started a new book.

Whew.

Maybe it sounds strange but starting the new book felt like the biggest thing and in a lot of ways the toughest. I've been writing all this time in the sense that I've been editing Magisterium but today was the first day in, man, months I think, that I wrote something new. Sure, maybe part of that is business but not all, not really.

Mostly I think it was fear.

I'm constantly struck by how much of what gets in our way as writers is fear based. Writer's block? It's fear. You want so badly to write something "good" that the terror that you won't, or can't, paralyses. Starting something new is the same way. Actually opening a new word doc (or whatever) titling it and writing that very first line can be more than a little scary. Why? I think writing that first line is like making a promise to yourself and the fear is that it's a promise you can't keep. I mean we can't fail if we never start, right?

The thing I keep trying to remind myself is that I will fail, I'll fail alot, but with enough time and work it'll get there. Right now all I have to do is stay focused and have fun making a story unfold. The rest will come.

What about you all? Does fear hold you back from starting something new? From editing? How do you handle it?

Also, 2 points for guessing the reference in this post title...

(Oh and FYI, my first line, the one for this new book that will be changed a million times most likely was..."The first thing I noticed when I woke up was that my arm was broken and I was chained to the bed." Hmm. Not bad I think...)



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Some I love - Some are S.C.A.R.Y.

Okay - I really, really, REALLY want #2! And a roomba... but what do you think of these robots that you can get right now? Is society ready for these?

Check them all out here & then let me know which ones you want - or which ones are just too scary! http://www.innovationnewsdaily.com/216-top-seven-robots-buy.html

# 2 -
litter-robot-110415-02

# 7

irobot-roomba-110415-02

Blending Genres

Image credit
So I was cruising around io9, which I am wont to do, and came across this article. The basic premise is that the TV show LOST had a mystery with it, and the opened the door to more complex TV, such as GAME OF THRONES (this is a vastly simplified summary, but you get the point). Anyway, it made me think: the stories I tend to like best do blend different tropes of genres. Heck, I've often described ACROSS THE UNIVERSE as a murder mystery in space--an intentional blend of genres.

It got me thinking about the books that do blend genres. Blending genres keeps a book interesting, and surprises a reader. Come for the sci fi, stay for the mystery.

  •  HUNGER GAMES: a blend of dystopian with romance--and a little fantasy (muttations, anyone? The science isn't quite science here--it's more fantasy. Look at the Capital!)
  • GAME OF THRONES: fantasy, with a blend of dystopian (White Watchers are creepy, yo)
  • DOCTOR WHO: sci fi, with a blend of comedy and mystery
  • ENDER'S GAME: sci fi + mystery
  • THE ROAD: dystopian + family tale
  • DIVERGENT: dystopian + school tale (factions) + mystery
  • WITHER: dystopian + feminism 
  • SHATTER ME: dystopian + super heroes
  • BLACK HOLE SUN: sci fi + action hero movie
Think about the best books you've read recently. I'm willing to bet that one of the key things that book did right was blend genres--you have the "setting" genre--the genre most people will classify it as, the easily recognizable genre. But there's a sub-genre in it that will add a layer of uniqueness to the story--and that's what stays with the reader.

A Huge Congrats to Jeff Hirsch

So I was going to write a real and very serious post about something helpful today, but then this happened and well, it's just too awesome to not get top billing!


Wait, what's that?  How about a better picture?



Our own Jeff Hirsch is a USA Today Bestselling Author!  Congrats Jeff!


Before the Hunger Games Movie - Book Trailers!

So I am in New York right now, the last day of my first National book tour. I will show you a couple of photos taken in the theater of the STARTERS book trailer playing during the film trailers before the Hunger Games film. Ally Carter's book trailer played right after mine, which was fun. Then it went onto movie trailers.

I liked the Hunger Games film very much. There was one thing that I really missed from the book, but I won't mention it here as it's only been out less than a week. And you can probably guess what it was.

To celebrate the end of my tour (and I will move onto more general topics now, I promise), I'm giving away one AUDIOBOOK of Starters. These are several CDs, unabridged. You can listen while driving, or riding the train. It was recorded by the same company that did some of the Twilight recordings as well as Eragon, Potter, etc.

Just comment why you want to win it and give me a week to pick one.

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