Blogger Perks: Epic Meet-ups

One of my favorite parts of blogging has always been the community of authors and book bloggers. I've had the opportunity to meet many of my favorite authors and bloggers over the years, even some of my fellow League authors. I met Genn Albin for the first time last September and Mike Mullin at BEA this year - but I wasn't slick enough to get our photos taken together.  So today, when Susanne Winnacker came to Frankfurt and we went to my favorite sushi restaurant at Eschenheimer Tor (yes - the very one that makes a cameo appearance in LEVEL 2), I made sure we secured pictoral evidence:

Lenore and Susanne after devouring sushi


Next up I get to meet Lissa Price in November! So watch out Beth, Angie and Elana - I'm coming for you ;)

The ASHEN WINTER Blog Tour

The ASHEN WINTER blog tour has begun. Mundie Moms kicked it off yesterday with a giveaway--it's super easy to enter, and you could win both ASHFALL and ASHEN WINTER, autographed by Stephanie Meyer! (Well, I really mean that I'll do an extraordinarily bad job of forging Stephanie Meyer's signature if you want, although I'm actually better at signing my own name.)

Today I'm at Book Love 101 with an interview. Book Love 101 is totally the wrong title for this blog, by the way. Amanda Marie has AT LEAST a master's degree in loving books, so it should be Book Love 501, amIright? Anyway, you can go there to learn which book I think everyone should read (well, everyone who was born into a Western culture, anyway).

If you want to follow along for the rest of the blog tour, here are the stops. I'll update these with links to the actual posts as they go live:

Sept 23 - Mundie Moms
Sept 24 - Book Love 101
Sept 24 - Crossroad Reviews
Sept 26 - Good Choice Reading
Sept 27 - Page Turners
Sept 27 - Alluring Reads
Sept 28 - Book and Things
Sept 28 - Bookpics
Sept 30- Bea Book Nook
Oct 2- Unabridged Book Shelf 
There will be at least six giveaways of signed first-edition hardcovers of ASHEN WINTER and paperbacks of ASHFALL--some open internationally. I also wrote about a dozen brand new guest posts--if you're interested in survival tips or taekwondo, you're in for a treat. There will also be some amazing interviews, so stay tuned! Many, many thanks to Savannah Valdez at Books with Bite for organizing the tour.

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What makes YA YA?

Here is a guest blog from my friend Jay Kristoff, whose debut just came out yesterday! It is a Japanese Steampunk...YA? Or not? Read and let us what you think in the comments!

 
I’ve come to something of a terrible realization over the past twelve months: I don’t know what YA is.

I have a vague understanding what it looks like. I have a vague impression of what a poster-child YA book might read like. But that’s the problem – everything is vague. I have a book coming out this week called STORMDANCER (plug, plug, plug) and opinion seems somewhat divided about whether it’s a YA book or not. To tell you the truth, I don’t even know myself.

The term “YA literature” seems to lack a concrete definition, or at least one that I can find. I’ve discovered some common themes suggested by learned folks in the blogosphere, but many of them don’t seem to ring true. Observe:

a. YA novels are books read by a Young Adult audience (someone between the ages of twelve and eighteen according to the American Library Association). Now this one is demonstrably wrong – the legion of adult YA fans out there are testament to that. After all, I’ve been known to read YA, and while I might look like a fifteen year old when I shave off my facial hair, my days asking dad if I can borrow the car are well and truly over. YA seems to be read by anyone with eyes.

b. YA novels have teenage protagonists. This is pretty much true. But, are all novels with teenage protagonists YA? Take The Lovely Bones for example. This is a story told through the eyes of a 14 year old girl, and while some of the marketing for tLB was aimed at teenagers, it definitely wasn’t pushed solely on a YA platform, nor received as such by critics or the media. So while a YA novel needs a teenaged MC, not all books with teenaged MCs are YA. So insofar as nailing down our definition, I’m not sure how much this helps us.

c. YA novels feature the notion of ‘becoming an adult’ as a central theme. Is this really true? Let’s take a look at the goliath of current YA properties – the Hunger Games. Is “growing up” in any way part of Katniss’s story in tHG? She seems to already be an adult in her mindset and worldview - she’s pragmatic, capable, possessed of empathy for her friends and family, yet perfectly capable of being apathetic to others. At the beginning of the novel, she hates the Capitol, by the end, she still hates them. She doesn’t appear to come to any dramatic conclusions about herself as a person – the only real change she undergoes is in regards to her feelings for Peeta (sort of), and her increased ability to ‘game the game’. Does this really constitute “coming of age”? Can it be truly said that Katniss begins the tHG as a girl, and ends it a woman?

d. YA novels deal with issues that are important to a YA audience – defining moral/ethical beliefs, acquiring social understanding/developing behaviour, finding emotional independence, sex, drugs, marriage, impending parenthood, claiming responsibility for oneself and one’s actions. This one is similar to “becoming an adult”. And again, I hold up tHG. Does Katniss do any of these things? She’s already responsible, mature, defined in her opinions. She already knows how she feels about most of the pressing issues in her life. Maybe she fails as a typical YA heroine? Take a look at another YA novel (soon to be movie) – Ender’s Game. The only teen issue Ender deals with through the book is peer acceptance, and this doesn’t seem to be a theme throughout the novel, more a source of conflict than anything else. It would also seem logical that, if a book stars a teenage MC, that MC is going to be dealing with issues relating to teen life at some point. If you’ve fulfilled point b. then point d. is logically going to follow. Its almost like saying if you write a vampire novel, you’re going to mention drinking blood. True, yes, but stating the obvious a little maybe? And it definitely doesn’t seem to be a rule.

e. YA novels are typically fast paced and deal with powerful emotions – Fast paced? One skim through Twilight will tell you that not all YA is running a mile a minute. Powerful emotions? Sure, but isn’t this true of any novel? Stories are built around points of conflict – I can’t recall many novels I’ve read recently where the MCs weren’t experiencing powerful emotions at some point. Jealousy, rage, lust, joy, greed, hubris these are the tools that most narratives are constructed around. So yes, while it’s true that YA books contain them, I’m not sure they contain them in greater abundance than adult fiction. Certainly not genre fiction, anyway.

f. Parents are usually not in the picture in YA books. This seems a logical outcome from point b. You’re writing a story about a teenager saving the world – it might be a short book if said teenager gets grounded in chapter 3 for coming home with demon blood on their jeans. This doesn’t seem so much a defining trait of YA as a necessary construct within the narrative to allow the teenage MC to do whatever it is they have to do without Mother/Father getting all up in their grille. Besides which, I’m certain there are YA books with the parents still in the picture. So what are we left with? There are no real taboos (Virginia Andrews was writing teen books with incest as a theme back in the 80s) that YA won’t deal with, so it can’t be something like ‘subject matter’. And in terms of complexity of plot or language, YA might be deemed “simple” by some, but certainly no more simple than the average mass market adult bestseller. It’s not like the plot for The DaVinci Code was complex?

So what is it?

What makes YA YA?
 
Jay Kristoff is a Perth-born, Melbourne-based author. His first trilogy, THE LOTUS WAR, was purchased in the three-way auction by US publishing houses in 2011. He is as surprised about it as you are. The first instalment, STORMDANCER, is set to be published in September 2012 in the US, UK and Australia.

Website: http://jaykristoff.com/
Facebook: http://www.facebook.com/AuthorJayKristoff
B&N: http://www.barnesandnoble.com/w/stormdancer-jay-kristoff/1108946269?ean=9781250001405
Amazon:http://www.amazon.com/Stormdancer-The-Lotus-War-Book/dp/1250001404/ref=sr_1_1?ie=UTF8&qid=1346708863&sr=8-1&keywords=stormdancer


Edinburgh Book Festival

I know I'm a bit late with my account of my experiences at Edinburgh Book Festival which took place from August 11th until August 27th in (as you might have guessed...) Edinburgh. But I have a good explanation: editing two books (IMPOSTOR and THE LIFE BEYOND) and starting a new book while spending half of your time in hotels and not at home is a bit stressful...

I was in Edinburgh from August 18th - 25th with a friend. But I didn't spend all my time at the book festival since the city is just too pretty to miss.

If you haven't been to the festival before, let me tell you how awesome it is! It's a small town of tents on Charlotte Square in the "new town" of Edinburgh.  A small tent town full of readers, writers and other book peeps. You walk on wooden boards from tent to tent, since the lawn can get pretty soggy from all the rain...
Here's a pic that shows you what I'm talking about:

Here you can see me walking from the Author's Yurt toward one of the event tents. That day I had an event with Alexander Gordon Smith whose THE FURY is an amazing and scary YA dystopian!

In this picture you can see me and Gordon (Alexander Gordon Smith) at our event. Maybe you can see the bloody limbs lying on stage? Isn't that awesome? And absolutely fitting, since both Gordon's and my book have zombie-like creatures. This was a school event, by the way.


Here you can see me and Alexander Gordon Smith signing our books after our event. 



Here you can see Teri Terry, Anne Cassidy and me after our event, signing our books. 

I didn't only attend my own events though. I saw Dave Cousins (Fifteen Days Without a Head) and Sara Grant (Dark Parties), Mark Haddon (The Curious Incident of the Dog in the Night Time), Kim Newman (Anno Dracula), and Sophie McKenzie (The Medusa Project, Sister Missing). There are just so many fantastic events to choose from (adult, non-fiction, picture book, young adult...)! And the atmosphere is wonderful, especially in the author's yurt where all the authors gather before and after their events. The yurt isn't open to the public but there are enough other tents to spend your time in if you aren't an author. There are two book shop tents - one only for children's book, several event tents and even two café tents where you can eat sandwiches, cookies, cake, and drink coffee and, of course, tea. You can also sit on chairs in the middle of the square between the tents, enjoying the few hours of sunshine. It was wonderful!


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Four Chapter Excerpt of Level 2 online!

I'm in Kyrgyzstan this week, so no huge post from me, but I did want to alert you to the fact that you can now read the first 50 pages of LEVEL 2 on the new Facebook page for the Memory Chronicles series!  You can also grab a countdown widget and just generally get excited for its January 15, 2013 release date.

Run for your afterlife!!

Why ASHFALL Has a New Cover

Three weeks ago I posted about receiving my author copies of ASHEN WINTER in hardback--it's the sequel to my debut novel, ASHFALL. (To summarize the post: squee!) I also got author copies of the paperback edition of ASHFALL with its new cover. Fellow blogger and author Lissa Price (I just called Lissa a fellow. Snicker. Sorry, Lissa!), asked a great question in the comments: why'd the cover change?

To answer the question, let me refresh your memory on what the hardback ASHFALL cover looks like:


I love this cover like Santa Claus loves reindeer. The artwork is a composite of photographs taken and digitally manipulated by Ana Correal--see more of her amazing artwork here. It's perfect for my book--tough, dark, and a little bit foreboding.

So why did it change?

In the world of book sales, there's one retailer that wields a huge influence over covers. Not the biggest retailer, that'd be Amazon. But Amazon carries everything--you can have the worst book cover ever, and Amazon will still sell your book. The most influential retailer of physical books is this one:


As I understand it, there was a rumor that someone at B&N didn't like the hardback ASHFALL cover. That they thought it was too dark and grey--a fair criticism, although life after a supervolcano would be pretty darn grey for a while. I have no idea if the rumor was even true. But here's the thing, B&N is so important to physical book sales, that even the rumor that someone there didn't love the cover was enough to spur a change.

Does this bother me? Not in the least. Because I got new covers out of the deal:


They're also by Ana Correal. See, more color! I love these even more than Santa Claus loves his reindeer. Even more than he loves reindeer even if he loved them in highly inappropriate ways, which he doesn't, but I'm just . . . oh, never mind.

And that's why the cover of ASHFALL changed. Look for the shiny new covers in a bookstore near you on October 8th!

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