With so many League members this month sharing the stories
of how they got their agents, it got me thinking about how I got mine. It’s a
fairly standard story—wrote novel, sent queries, got offers, chose one. Voila.
But I think what makes it such a boring story on the surface is that underneath
it all, behind the scenes, I was an absolute MADWOMAN of organization and
preparation. I made tables and charts of everything possible, I studied dozens
upon dozens of agent and author blogs, wherever query-writing was mentioned.
Over the months before I queried I gathered so many tips and bits of advice,
and I wanted to share one of the most crucial, in my opinion!
Showing posts with label how I got my agent. Show all posts
Showing posts with label how I got my agent. Show all posts
Finding the Right Agent
I'm borrowing this month's topic on how we found our agents because I'm not sure that I've ever blogged about it. On the surface, it isn't all that interesting because it was a fairly typical process, as by the book as you can get: I sent query letters to a bunch of agents, and eventually I got an offer. Of course, it sounds simple—perhaps even easy—when you describe it that way, but during the actual process it is simultaneously all-consuming, exhilarating, and devastating. You are thinking about it obsessively while trying not to think about it at all. As with most stages of publishing, it's a roller coaster ride with many emotional highs and lows; the key to making it to the end of the ride is staying on the coaster with your eyes wide open. Strap yourself in, don't look down, and hold on tight!
Hundreds of Queries Later...
Okay, so it's been a great theme week here at The League. We've been sharing stories of how we got our agents. I'm up today, and while I think my story is pretty fantastic, it was not-so-fantastic as I was living through it.
That said, I hope it'll inspire just one person to take the next step in their creative endeavor, whatever that may be. Writing, photography, painting, dance, etc.
So let's do a little flashback in time.
2007: Elana begins writing. Everything is awesome! Every word well-chosen and perfectly placed.
2008: Elana queries her first novel. Everything is not awesome. Every word is wrong, and every sentence awkwardly constructed.
I learned in 2008 that the first book I queried was not good enough. I sent nearly 150 query letters, and everyone told me no, either on the query or on the submission.
While I did not find a literary agent with this book, I did discover how to write a query letter. I even went so far as to put together a guide on how to write a query letter. It's free, and you can download it here (scroll down to the bottom to find the link).
I learned that I love writing query letters, and I still write them to this day, either for myself or for others (go to my blog to see what I mean!).
During the rejection-hell-of-2008, I wrote Possession. I was querying The Other Novel, though, so I set it aside. In November, 2008, when I realized The Other Novel wasn't going to be The One, I quit querying it, and I looked at what I'd written to decide what I should polish up and send out next.
Quitting wasn't an option.
2009: I polish up my next novel in preparation to query it. I begin sending letters in April. I get a lot of good feedback. Partials are being upgraded to fulls. Fulls are requested from the query letter--which sometimes was only 2 sentences long.
Oh yeah, I was feeling good. I felt like Possession was The One.
Yet months passed. I queried. I sent submissions. Yes, I got rejections. A lot of rejections.
In June, I queried my agent, Michelle Andelman. She asked for the full, and two weeks later she asked for anything else I'd written. It was a good sign--but it was summer.
Things moved slowly. I revised for another agent. I talked to two other agents on the phone.
No offers of representation.
In September, after a summer that felt eternal and like nothing was happening, I get brave. Actually, what I did was "Go George" according to that Seinfeld episode where George Constanza does everything the exact opposite of what he's always done.
I emailed Michelle and basically said, "I know you like Possession. I can revise it if you want. Can we talk about it on the phone?"
And she said yes, and a call was set up!
She still didn't offer, but gave me some suggestions for revisions and we set a deadline in October when I would get them back to her.
So I did the revisions without the promise of an offer, and I turned them in on time. Two weeks later, on Veterans Day in 2009, the real call came. I had representation!
Finally.
I queried Possession for 8 months. I sent 189 query letters, and 54 submissions (either partials or fulls). I only got one offer of representation, but it only takes one.
We went on to sell Possession in a short time, and every time I email or talk with Michelle, I'm reminded how she's the perfect agent for me and my work.
So there you have it! Between my two books, I queried for a combined total of 16 months and sent hundreds of query letters. That's how I got my agent.
Are you currently in the midst of something hard? Don't give up! The Thing You Need could be just around the corner.
That said, I hope it'll inspire just one person to take the next step in their creative endeavor, whatever that may be. Writing, photography, painting, dance, etc.
So let's do a little flashback in time.
2007: Elana begins writing. Everything is awesome! Every word well-chosen and perfectly placed.
2008: Elana queries her first novel. Everything is not awesome. Every word is wrong, and every sentence awkwardly constructed.
I learned in 2008 that the first book I queried was not good enough. I sent nearly 150 query letters, and everyone told me no, either on the query or on the submission.
While I did not find a literary agent with this book, I did discover how to write a query letter. I even went so far as to put together a guide on how to write a query letter. It's free, and you can download it here (scroll down to the bottom to find the link).
I learned that I love writing query letters, and I still write them to this day, either for myself or for others (go to my blog to see what I mean!).
During the rejection-hell-of-2008, I wrote Possession. I was querying The Other Novel, though, so I set it aside. In November, 2008, when I realized The Other Novel wasn't going to be The One, I quit querying it, and I looked at what I'd written to decide what I should polish up and send out next.
Quitting wasn't an option.
2009: I polish up my next novel in preparation to query it. I begin sending letters in April. I get a lot of good feedback. Partials are being upgraded to fulls. Fulls are requested from the query letter--which sometimes was only 2 sentences long.
Oh yeah, I was feeling good. I felt like Possession was The One.
Yet months passed. I queried. I sent submissions. Yes, I got rejections. A lot of rejections.
In June, I queried my agent, Michelle Andelman. She asked for the full, and two weeks later she asked for anything else I'd written. It was a good sign--but it was summer.
Things moved slowly. I revised for another agent. I talked to two other agents on the phone.
No offers of representation.
In September, after a summer that felt eternal and like nothing was happening, I get brave. Actually, what I did was "Go George" according to that Seinfeld episode where George Constanza does everything the exact opposite of what he's always done.
I emailed Michelle and basically said, "I know you like Possession. I can revise it if you want. Can we talk about it on the phone?"
And she said yes, and a call was set up!
She still didn't offer, but gave me some suggestions for revisions and we set a deadline in October when I would get them back to her.
So I did the revisions without the promise of an offer, and I turned them in on time. Two weeks later, on Veterans Day in 2009, the real call came. I had representation!
Finally.
I queried Possession for 8 months. I sent 189 query letters, and 54 submissions (either partials or fulls). I only got one offer of representation, but it only takes one.
We went on to sell Possession in a short time, and every time I email or talk with Michelle, I'm reminded how she's the perfect agent for me and my work.
So there you have it! Between my two books, I queried for a combined total of 16 months and sent hundreds of query letters. That's how I got my agent.
Are you currently in the midst of something hard? Don't give up! The Thing You Need could be just around the corner.
How I Found My Agent
At the end of April 2011 WriteOnCon hosted a live query event. I knew I wanted to participate, but I didn't have a good query yet. I sat down with my husband and read him all the queries I had written. And he was...nonplussed. So he took my computer and started fiddling around; an hour later he handed me back a very experimental query. It wasn't quite there, but there was something about it that actually sounded like the voice of my novel. I spent another couple hours with it and then posted it to the website, hoping it wasn't too different from traditional query form.
But it wouldn't let me add it to the thread. I tried several times and I kept getting a message that it would have to be approved by a mod. I texted my critique partner: Did you have to wait for your query to post? She replied that she hadn't. I waited a couple hours the next morning to see if it would show up, but it didn't and more and more queries were grabbing the last few spots. I finally broke down and messaged a mod. She found it in the spam filter and, lucky for me, posted it in the spot it would have if I hadn't waited for approval.
I spent the weekend nervous, but excited for feedback. I was more scared she wouldn't get to my query than of hearing what she had to say. The Monday night of the event, I wanted to puke. I knew it was time to start querying, but I was dragging my feet.
Long story short: she liked it. She asked for more, and I gleefully sent it off. The next morning there was a request for the full manuscript in my inbox. I cried (I did that a lot back then. Now I'm more emotionally numb), and feeling encouraged and because my critique partners strong-armed me, I sent off more queries. The next two responses asked for fulls, too. I was beginning to feel like I was dreaming. Then a form rejection put me back in my place.
On Sunday of that week, I got my first email requesting a call. I cried (yes again). My husband said I was scary (note to significant others: not the thing to say). The next morning I woke up excited, scared, asking if agents ever called to tell you that you suck. Before the call, I got two more full manuscript requests. I was beginning to feel overwhelmed in a wonderful way.
I spoke with the agent, and she loved the book. She offered rep and I told her I had other fulls out, she advised me to send email nudges to everyone, including the ones I hadn't heard from, since it had been less than a week. I did and by that night I was up to ten full requests.
Then I got another call from an agent who read the sample pages and wanted to chat to see how serious I was and ask me to send the full. Three hours later, she asked for a phone call the next morning. Then another agent asked for one in the afternoon. I felt anxious and happy and overwhelmed and hopeful and uncertain all at the same time. Both agents offered. That night an agent called at 8:45 to talk and offer rep. I was up to four offers!
The second agent, Mollie Glick, then asked to fly out to meet me.
At the time I was a stay-at-home mom in the midwest. These things didn't happen to me, but the next day I went on my first business lunch with Mollie. I got us lost like ten freaking times, because I rarely went into the city back then (Mollie was good under pressure). And I'm sure she was super-jealous of my awesome gold mini-van, but it was very cool and showed me just how serious she was about the book. Also I got to eat crab cakes.
By that evening, three more agents asked to speak on the phone. That Thursday, I spent over five hours on the phone. My poor husband dragged my kids all over town.
In the end I had seven offers of representation, and all because I attended a WriteOnCon query event. That's how those fabulous authors from WOC changed my life in less than a week. I can't stress enough to get out there and take chances! Yes, it's scary and stomach-turning, but it could change your life! Having an agent see my query there put me on their radar in a way the slush pile could not. I will be eternally grateful to the WOC girls.
I struggled with my decision. I really loved all the agents I spoke with, but I sensed Mollie provided a certain business acumen I lacked (I'd much rather be writing pretend conversations). If you are ever in that situation, my best advice is to take the time you need to make the decision, ask to speak with some of the agent's clients, and try to listen to your gut.
Now people have told me this is a bit of a Cinderella story, and I certainly felt like I was living in a fairytale while it was happening. But while that story is fun to share, because it could happen to you, it doesn't tell you about the months leading up to that magical week. While my querying experience was short and sweet, there was lots of planning that went into it. Here are some of the things I did to prepare myself for querying. I hope they help.
1. I joined Querytracker.net. (If you can swing it, get the premium membership. Worth it!) I spent about four months researching agents, building a tiered list of who to query, and making notes on the individual agents' pages.
2. I became an active member of the QT forums. Reading and offering feedback on other queries made it much easier to start writing my own. It also prepared me for what to expect and gave me a supportive community to lean on when I was struggling with writing. They were the first people to give me a thumbs up on the query that snagged my agent.
3. I participated in pitch contests. I did every blog/twitter pitch contest I could find. I never even made it to the final round of any of them, but it helped me perfect my blurb line.
4. I researched agents during the day when I couldn't focus enough to work on the novel. I had two very small kids at home (3 years-old and less than 1 year-old at the time), and my out of the house writing time had to be that: writing time.
5. I read Queryshark religiously. Actually it was my friend Josin McQuein's query for Premeditated on Queryshark that gave me the guts to use a more experimental query for Crewel.
6. I treated it like my job. I was organized and methodical about it (probably more organized than I've ever been.)
So if you're joining the trenches, I salute you and leave you with some of the best advice I ever got from pinterest:
from pinterest:

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