Spooky Reads for Halloween!

[insert obligatory post on spooky reads for halloween here]

C'mon, I know it's cliche, but I've got to do it!


This isn't your typical spooky ghost story--there are no ghosts, for one. But it's properly creepy, starting off with an eerie scene in an abandoned building that I visualized a little too well at 2am. In this story, Mara is a witness to a horrific accident...but it was not what she thought it was, and the consequences of that night aren't leaving her alone.


I sort of thing you should buy this one for Halloween based on the cover alone.

If that's not enough for you, how about this: ghosts, revenge, death. There. Go buy it for Halloween.


This is another one that's not a typical Halloween book--but there are ghosts--or at least the fear of them--and what I like is that this book also combines history, race, and relationships in with the ghost story.

What spooky reads are you checking out this Halloween?

Also--a little bit of a self plug, but I'm giving away 19 signed YA books here to prep for the next holiday--Thanksgiving!

Adding Suspense To Your Post-Apocoalyptic (or any!) Novel

Okay, so adding suspense to a novel is difficult business. And as science fiction and dystopian authors have a little bonus--they can use their sometimes scary and tense societies to build suspense. (There is the added drawback of having to develop and explain such societies too, so we don't have it totally easy!)

Here are a few tips for adding suspense to any novel, science fiction or not.

1. Chapter endings. Now I've heard people say to end them on a cliffhanger, but I actually don't think that's entirely true. You don't have to have an explosion at the end of every chapter, or a gun going off for it to be impactful.

The best advice I've heard is to end the chapter in one of two ways: a high or a low. And it can be a plot high or low, or an emotional high or low. Both bring the urge to turn the page, and build the tension for the next chapter.

Some examples:

Plot high, from THE GIRL OF FIRE AND THORNS by Rae Carson: "I gaze unbelieving at my nurse, amazed at the speed with which she moved, wondering why recognizing the life in my navel would sentence a man to death."

Emotional low from VIRTUOSITY by Jessica Martinez: "The black night, white stars, and yellow house lights glimmered like fractured glass, poised above me and ready to fall with one more shake of the kaleidoscope."

Notice I didn't have to use sci fi/dystopian titles for the examples. Any reading you do, identify the high/low at the end of the chapter. Use what works for you.

2. Shorter sentences. When I'm building up to a reveal, or writing a particularly fast-paced scene, I like to use shorter sentences or paragraphs. I find myself using repeats and echoes a lot, as I think this draws out the tension before the big reveal.

The white space allows breathing room, and the shortness of the text means the reader can read really fast.

All of that adds to the tension of the reading experience, in my opinion.

3. Evil villains. I think one of the reasons Harry Potter was so engaging is because Lord Voldemort is truly evil. He's scary whether he's on the page or not. I think every book can be benefitted from having a really evil villain.

Of course, if you're not writing fantasy or science fiction, there often is no huge, overarching villain. In cases like these (see VIRTUOSITY example above), rely on the emotional impact of your story.

What techniques do you use to add suspense to your novel?

Top 10 Scary Movie Futures

Forget vampires, werewolves, and crazy guys with a saw fetish. What could be scarier than a bleak and/or twisted future?  Here’s some of my faves—in rough order of livability.


Idiocracy (2006)

The dumb inherit the Earth.

Private Joe Bauers, the definition of "average American", is selected by the Pentagon to be the guinea pig for a top-secret hibernation program. Forgotten, he awakes 500 years in the future. He discovers a society so incredibly dumbed-down that he's easily the most intelligent person alive. (Source: IMDb)

Blade Runner (1982)

Ridley Scott’s vision of Phillip K. Dick’s story is a bleak, noir-ish world.

Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to earth seeking their maker. (Source: IMDb)


Brazil (1985)

On the other hand, Terry Gilliam’s world is delightfully bizarre but an administrative nightmare.

A bureaucrat in a retro-future world tries to correct an administrative error and himself becomes an enemy of the state. (Source: IMDb)



Dark City (1998)

The IMDb blurb describes this fantastically dark vision pretty well:

A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans. (Source: IMDb)



Soylent Green (1973)

It’s people.

In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff. (Source: IMDb)



Children of Men (2006)

The children won’t inherit the Earth if they’re not being born.

In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind. (Source: IMDb)



Handmaid’s Tale (1990)

Right-wingers take over—and they’re having trouble procreating, too.

In a dystopicly polluted rightwing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility. (Source: IMDb)


Twelve Monkeys (1995)

We’re all living underground because of Brad Pitt. (Actually, it was the other guy, the one from St. Elsewhere.)

In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet. (Source: IMDb)



Matrix (1999)

We’re basically batteries with a fulfilling fantasy life.

A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers. (Source: IMDb)



Zombieland (2009)

There’s just Woody Harrelson and bunch of zombies left. Rule 1: Cardio.

A shy student trying to reach his family in Ohio, and a gun-toting tough guy trying to find the Last Twinkie and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America. (Source: IMDb)




The Road (2009)

Not much of anything left.  I haven't actually seen this one, but the book painted the bleakest imaginable future--with only one faint sliver of hope at the end.

A post-apocalyptic tale of a man and his son trying to survive by any means possible. (Source: IMDb)

Also rans:
  • The Day After Tomorrow 
  • I am Legend / Omega Man
  • 1984
  • Brave New World
  • Planet of the Apes
  • Boy and His Dog
  • The Day After
  • Road Warrior
  • Minority Report
  • Metropolis
  • The Day After
What are some of your favorite movies with scary futures?

101 Uses for a Brick (Or a Ghost)

Hi all! I'm coming off a pretty intense few days of book events and have now caught myself a bit of a cold. But before I finish up my tea and put myself to bed I wanted to put together a short Halloween related post.

If you haven't seen it yet, Nova Ren Suma (Imaginary Girls) is doing a great series of Halloween themed posts on her blog. Mine will be up there later today. By all means give it a gander. But I also wanted to talk about one of the other posts in this series that went up last week. Nina LaCour (Hold Still) wrote up an awesome true life ghost story that, in addition to being supremely creepy, illustrates an important writing principal.

From here on out there are going to be SPOILERS so before we go any further, read the whole story. Don't worry it's short. I'll wait....

Read it?

Ok. Wow, spooky right? A few nights after I read this I flew into Los Angeles late at night and as soon as I got myself settled into my big empty hotel room this story came rushing back to mind and I got properly freaked out.

Now about the writing principle I think this illustrates. For me, this story works so well because of the twist at the end, where Nina theorizes that it wasn't some kind of ghost taking the pictures but the girl herself waking up in the middle of the night as this malevolent "other person" and taking the pictures. There's just something so chilling and unexpected about that interpretation. That there's this other person living inside you that lives to terrify and undermine you. Nina could have easily left this story as just a creepy occurrence, maybe it's a ghost, maybe not, and it would have worked perfectly fine. That she takes this extra step to come up with a novel interpretation of the event is really what does it for me.

One standard test of creativity is to ask someone to list as many different uses for a brick as they possibly can. You know, you can hold a door open with it, you can crack a walnut with it etc etc. Generally when people do this the first few uses they come up with are the most obvious ones and then the longer they go the more outlandish and surprising the uses get. The idea is the more credible uses you can come up with for a brick the more creative you are. To me, this is what LaCour did so well with this story. She didn't stop at the most obvious explanation for the occurrence, a ghost, she kept going until she found something that had the shock of surprise. She found a new use for a brick.

This is something I'm trying to keep in mind as I work on my new book. If a character needs to get out of a tight spot, I don't want to stop with the first gambit that comes to mind, I want to come up with as many options as possible and pick one that feels fresh and surprising. It's the same thing when it comes to interpreting a character's behavior, or exploring their point of view, or describing a feeling or an image.

Our first idea is not always the best, often it's simply the most conventional, but if we keep pushing we can get somewhere really surprising and, in this case, scare the hell out of people.


What about you all? Do you make a point to push past your first ideas and find new ones?

A short story for Halloween.

Disclaimer - I am not a short story writer. I'd like to be at some point... here's my first effort.

The Fifth Floor

Honestly, I have no idea what I’m doing here... 
On the elevator ride, I thought of everything wicked I'd done, from the very first time I ever lied (to Grammy about swigging maple syrup directly out of the bottle), to earlier this very day when I’d stuck that pen in my bag before I left work. I mean, come on... I know stealing is stealing, but it’s just a measly rollerball. It came in one of those annoying mailings where the contents rolls around inside and somewhere between origin and destination, the envelope gets torn because of the stupid pen bulge. Well, no matter... let me tell you and you see what you make of it.
My day was pretty normal. Uneventful even. Although, as I think back, there was the odd moment...
Like the incident after our requisite 1:15 meeting with the boss. Leaving the conference room, I’d nodded to him, as always, and for half a second I thought his eyes were red. Not red-rimmed from crying because sales were down in the basement; he wouldn’t cry about that anyway, he’d just yell at the sales team. Nope, those eyes had looked like glowing red embers. I’d chalked it up to the lighting. I remember he’d said, “Later.” Definitely more than the usual grunt, but, I’d shrugged it off as his sorry attempt to be cool.
Come to think of it, there were a lot of things that had seemed “off” at the office. (No pun intended, well... yeah... But, seriously, how can I joke at a time like this – right?)
When I say work had been normal, it was in that half-a-degree to the left sort of way. My eyes were constantly adjusting to the lights being too bright or too dim. (Which validates my theory about the boss’s weird eyes, doesn't it?) My co-workers were their usual combination of annoyingly cheerful and painfully dull, except for the nagging sensation I’d get upon passing them in the hallway. That prickles-up-the-neck feeling of being scrutinized, in a totally unpleasant way. But, when I’d turn around to see if they were looking at me, they were blithely going about their business, or so it seemed.
Then the whole pen-in-the-mail thingy. I’d only just glanced at the accompanying insert. The pen was included so the recipient could notate some kind of choice. I do remember thinking it odd that a religious organization had sent something to a business. Of course, being the lowly admin assistant, I get all the junk mail and stuff addressed to “occupant.” But, funny... now that I recall, the envelope had been addressed to me, Mary Blaize. Huh...weird. Oh well, I guess that means I didn’t steal the pen.
When I left work, I distinctly remember the receptionist saying, “goodbye,” not her typical, “Have a great evening.” It had kind of creeped me out with its ring of finality. If she noticed my questioning look, she’d done a great job of ignoring it. 
I was nearly home, the front porch was in my sights, a glass of red wine in my near future, when two unfamiliar people approached me. I figured they wanted directions. I was wrong. 
The events following, “Good evening, Miss Blaize.” are blurry. There was movement, maybe even traveling. How? I can’t really say. But I ended up in the lobby of a building I’d never seen before, in front of the elevator. I was wearing the dress I’d worn to the company Christmas party two years earlier and had stuck in the back of my closet, never to be seen or thought of again – until now. 
The woman stuck a bouquet in my hands and the man punched the elevator button. “Get off on the fifth floor,” he said. 
When I got on the elevator there were already three people inside. As the doors closed, I reached over to press 5. There were only four floors. I'm going to have to go back down to the lobby and these people are going to think I am so stupid, I thought. Paying me no mind, the occupants exited on the fourth floor, Two other people entered and, although it felt like the elevator was going down, when it stopped, the indicator above the doors lit up 5. We all got off.
The two people, a man and woman, bustled me through a busy office. In the adjacent hallway, the woman appraised my appearance and made miniscule adjustments to my hair and the skirt of my dress, then positioned me front of a door. 
I know who’s behind that door. Don’t ask me how, I can’t tell you. But, I definitely know. 
Standing there, sweaty palms around that pathetic bouquet you'd think I’m scared (well, yeah, I am... just a little.) But mostly, I'm wondering – is the devil’s due really a nosegay of painted daisies and forget-me-nots?

Classic Teen Reads for the YA Sci-fi Reader


Today at the League, we are pleased to welcome Phoebe North! Phoebe is a sci fi writer herself, and co-founder of the sci-fi review blog The Intergalactic Academy. If you're not already reading and following The Intergalactic Academy, then you absolutely must click over to it now. As their website says, "it’s your online source for everything YA sci-fi, from reviews of new book releases, to rereads of teen SF classics, to interviews with your favorite authors and nifty tech-link round ups."


Classic Teen Reads for the YA Sci-fi Reader

By Phoebe North

As blogs like this one show, young adult science fiction is undergoing a fantastic resurgence. More writers are looking at the world through a speculative lens than ever before. But there are some great predecessors to modern YA sci-fi that are often overlooked. Though these "teen" books might be a bit slimmer than what passes muster in YA these days (word counts back in the pre-Harry Potter days were much lower), here are three titles that are still worth a look by any YA sci-fi reader or writer:

The Girl With the Silver Eyes by Willo Davis Roberts

Katie Welker is used to being alone. She would much rather read a book than deal with other people. Other people don't have silver eyes and other people can't make things happen just by thinking about them! Sometimes Katie even enjoys playing tricks on people.

This early-90s speculative classic is a beautifully-written story about a girl who is different from her peers. Katie's tale will appeal to anyone who has ever felt a little bit freaky--and maybe, secretly, hoped that this freakiness really meant they have superpowers. It's recently gotten a rerelease with a gorgeous new cover.

The Tripod Series by John Christopher

(The White Mountains/The City of Gold and Lead/The Pool of Fire/When the Tripods Came)

Long ago, the Tripods--huge, three-legged machines--descended upon Earth and took control. Now people unquestioningly accept the Tripods' power. They have no control over their thoughts or their lives. But for a brief time in each person's life--in childhood--he is not a slave. For Will, his time of freedom is about to end--unless he can escape to the White Mountains, where the possibility of freedom still exists. The Tripods trilogy follows the adventures of Will and his cohorts, as they try to evade the Tripods and maintain their freedom and ultimately do battle against them. The prequel, When the Tripods Came, explains how the Tripods first invaded and gained control of the planet.

This trilogy (followed by a prequel in the 80s) shows what happens after your classic alien invasion. The White Mountains opens in a seemingly-idyllic, quasi-Medieval world--until you learn that the "caps" that are placed on children's heads when they turn twelve are really a type of mind control executed by their alien masters. There are a few places where the original trilogy volumes show their age (mostly through some weird, dated racial descriptors), but it's otherwise fantastic, particularly the second volume. In The City of Gold and Lead, Will infiltrates an alien city. His alien Master is creepy, gross, and skin-crawingly sympathetic.

Z for Zachariah by Robert C. O'Brien

A gripping, thought-provoking story about life after a nuclear holocaust, by a Newbery Medalist. 

Ann Burden is sixteen years old and completely alone. The world as she once knew it is gone, ravaged by a nuclear war that has taken everyone from her. For the past year, she has lived in a remote valley with no evidence of any other survivors.

But the smoke from a distant campfire shatters Ann's solitude. Someone else is still alive and making his way toward the valley. Who is this man? What does he want? Can he be trusted? Both excited and terrified, Ann soon realizes there may be worse things than being the last person on Earth.

Forget The Road. Z for Zachariah is easily my favorite post-apocalyptic tale. Rather than telling the story of a Mad-Maxian band of wanders, like most post-apocalyptic stories, Robert C. O'Brien weaves a tale of a much more likely survivor--Ann, alone in her family's isolated country home. But when a visitor arrives, Ann must figure out if she can trust him--and if her solitude is worth protecting. Haunting and mournful and above all very real, Z for Zachariah is a great read for any post-apocalyptic fan.


Phoebe North is a 20-something writer from New York State. She reviews young adult science fiction--and writes about all sorts of YASF stuff--at the The Intergalactic Academy

Post-Apocalypse Survival for the One Percent

For Jeff's release week, I blogged about how to survive the collapse. Well, I have an addition to the list--for those of you who aren't among the 99% of us with less than few million dollars jingling in our pockets. As I was leafing through a back issue of Popular Science (doing a little research for a new book), I stumbled upon the Terra Vivos Underground Shelter.  When I read the article, I thought, oh, this is sounds very reasonable (and pop science-y)--all about modular, luxury emergency shelters like this below.




But then I checked out the company's web site.  Vivos is building a network of shelters, which you can buy into for $10K. (Kind of like a survival co-op.) Or you can build your own for substantially more. That doesn't sound like that batshit of an idea. But ...well, their goal is to complete construction of this network before 12/21/12. Just in case. Yep, the supposed end of the world according to non-existent Mayan prophecy. And if you poke around the website a little more (and watch a few videos)  ... Let's just say, had I not read about this in Popular Science first, I would have thought Vivos was either an elaborate joke (ala the Yes Men) or a cult. Or both.

Okay, I still think it's a bit culty. Vivos even refers to itself as the new Genesis. Plus they talk about the Quickening, 2012, and Glenn Beck thinks this is a good idea. Yikes.